{"id":1574,"date":"2024-03-17T14:52:18","date_gmt":"2024-03-17T13:52:18","guid":{"rendered":"https:\/\/www.imhar.net\/?page_id=1574"},"modified":"2025-03-03T16:41:56","modified_gmt":"2025-03-03T15:41:56","slug":"veranstaltungen-2024","status":"publish","type":"page","link":"https:\/\/www.imhar.net\/en\/news\/events-archive\/veranstaltungen-2024\/","title":{"rendered":"Veranstaltungen 2024"},"content":{"rendered":"\n
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Salon<\/strong> vom 06. Dezember 2024<\/p>\n\n\n\n

\u00bbOn the Subject of Tests: Performing with Objects<\/strong>\u00ab<\/p>\n\n\n\n

Sasha Bergstrom-Katz<\/strong> (Berlin)<\/p>\n\n\n\n

Bergstrom-Katz is an artist, researcher and writer living in Berlin. Currently, she is a visiting fellow at the University of Bielefeld in the History and Philosophy of Medicine having recently completed a visiting fellowship at the Max Planck Institute for the History of Science in a working group on the Practices of Validation in the Biomedical Sciences. She also co-runs the working group Performing Science and Medicine with Dr. Michele Luchetti and is co-editing a volume with Dr. Suzanne Hudson and Dr. Sarah Marks on art and psychotherapy for Oxford University Press. She has a PhD from Birkbeck, University of London in Psychosocial Studies and an MFA in Art from the University of California, Irvine.<\/p>\n<\/div>\n\n\n\n

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Image: IAC30.8.21_Sasha Bergstrom-Katz: On the Subject of Tests: Rehearsing the Examination (Outtake), 2021. Video: 36:52 minutes.<\/p>\n\n\n\n

On the Subject of Tests<\/em> is a multi-part project which recasts two twentieth-century intelligence tests, the Wechsler and Stanford-Binet Intelligence Scales, in a series of roles. It re-envisions the intelligence test kit as, in turn, an auto-archive, a rhetorical vessel, and a performance in a box. The project\u2019s subsection, entitled Performing with Objects<\/em>, uses artistic methods to reframe the test kits and their contents as props, highlighting both the materiality of the kits themselves, which are composed of toys, games, puzzles and booklets, and how these objects play a part in the performance of testing.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Salon<\/strong> vom 08. November 2024<\/p>\n\n\n\n

\u00bbRelationships<\/strong>\u00ab<\/p>\n\n\n\n

Kirstin Burckhardt<\/a><\/strong> (Berlin)<\/p>\n\n\n\n

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Relationships are the artistic material of Kirstin Burckhardt\u2019s research and practice. Her interdisciplinary performances, videos installations, and publications expose how relationships are a real-time choreography and experience via the body \u2013 especially in care or power politics. Critically drawing upon her background in psychotherapy and neuroscience, she uses embodied voice and resonant listening to articulate poetries of personal and collective sensitivities, conflicts, and the complexities of healing. Her collaborative practice does not only mean to work together, but to confront and share what it means to be in a relationship \u2013 as a radical act. She has published in Frontiers of Psychology and is a member of IMHAR (Institute for Medical Humanities and Artistic Research). Her works have received numerous grants, most recently from the Fonds for Performing Arts, and has exhibited internationally in solo and group shows at Kunsthalle N\u00fcrnberg, Deichtorhallen \/Sammlung Falckenberg Hamburg, and Goethe Institute Los Angeles, among others.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Salon<\/strong> vom 27. Juni 2024<\/p>\n\n\n\n

\u00bbVisual and Material Culture & Medical Humanities<\/strong>\u00ab<\/p>\n\n\n\n

Fiona Johnstone<\/strong> (Durham University)<\/p>\n\n\n\n

Discovery Research Platform for Medical Humanities<\/a><\/p>\n\n\n\n

Visual and Material Lab<\/a><\/p>\n\n\n\n

Fiona Johnstone, Manifesto for a Visual Medical Humanities<\/a><\/p>\n<\/div>\n\n\n\n

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As guest in our salon, Fiona Johnstone, Assistant Professor in Visual and Material Medical Humanities at Durham University, gave us insights into the work of the Visual and Material Lab that she currently leads as part of the Discovery Research Platform for Medical Humanities at the University of Durham (2023-2030). The platform brings together humanities and social science researchers, people with lived experience and people working in different sectors to co-develop new and experimental approaches to tackling health challenges. The Lab takes up this strand and looks to new questions, innovative methods, and alternative perspectives on health that are generated when visual and material culture is taken as a starting point. Find beside a link to the manifesto that Fiona wrote for a Visual Medical Humanities!<\/p>\n<\/div>\n<\/div>\n\n\n\n

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IMHAR on Tour<\/strong> 19.\u201321. Juni 2024<\/p>\n\n\n\n

\u00bbArt & the Critical Medical Humanities: Confabulations X Health & Care at the RCA<\/a><\/strong>\u00ab<\/p>\n\n\n\n

Mit unserem Beitrag Lying in. Confabulations from the bedside <\/strong>waren wir, Angela Alves<\/strong> (Berlin\/IMHAR), Monika Ankele<\/strong> (Berlin\/IMHAR) und C\u00e9line Kaiser<\/strong> (Ottersberg\/IMHAR), zur Vorstellung und Diskussion der geplanten Publikation Art & the Critical Medical Humanities <\/em><\/strong>(Bloomsbury Critical Interventions in the Medical and Health Humanities<\/a>) am Royal College of Art Battersea<\/em>, London, eingeladen.<\/p>\n<\/div>\n\n\n\n

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Kolloquium<\/strong> vom 28. Mai 2024<\/p>\n\n\n\n

\u00bbMedical Humanities & Climate Change<\/strong>\u00ab<\/p>\n\n\n\n

Diskussionsrunde mit Tobias Dietrich<\/strong> (Universit\u00e4t Bremen\/IMHAR), Prof. Dr. C\u00e9line Kaiser<\/strong> (Hochschule f\u00fcr K\u00fcnste im Sozialen, Ottersberg
\/IMHAR) und Prof. Dr. Sophie Witt<\/strong> (Universit\u00e4t Hamburg)<\/p>\n\n\n\n

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Welche Rolle spielen Ph\u00e4nomene des Klimawandels f\u00fcr die Medical Humanities? Im Rahmen eines Roundtables wollen wir, Prof. Dr. Sophie Witt, Literatur- und Theaterwissenschaftlerin vom Studiengang Liberal Arts der Universit\u00e4t Hamburg, Tobias Dietrich, Filmwissenschaftler an der Universit\u00e4t Bremen und Prof. Dr. C\u00e9line Kaiser von der Hochschule f\u00fcr K\u00fcnste im Sozialen, Ottersberg, \u00fcber diese und weitere Fragen ins Gespr\u00e4ch kommen. Wie k\u00f6nnen wir Ph\u00e4nomene planetarer Gesundheit adressieren? Wie verh\u00e4lt sich die Gesundheit einzelner zu gesellschaftlicher und planetarer Gesundheit? Welche Bedeutung haben audiovisuelle Medien und k\u00fcnstlerische Praktiken bei der Konstruktion unserer Vorstellungen von der uns umgebenden Natur und von der Wechselseitigkeit von \u00d6kologie und (psychischer) Gesundheit? Und wie erforschen und vermitteln wir dieses neue Themenfeld innerhalb der Medical Humanities? Uns interessiert, welche Kompetenzen die K\u00fcnste und \u2013 im weitesten Sinne \u2013 angewandte Kultur- und Geisteswissenschaften im Kontext von Klimawandel und Kulturwandel (weiter-)entwickeln k\u00f6nnen.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Salon<\/strong> vom 12. April 2024<\/p>\n\n\n\n

\u00bbLiving with Long Covid. Interviews and Photographs<\/strong>\u00ab<\/p>\n\n\n\n

Monika Pietrzak-Franger<\/strong> (Universit\u00e4t Wien) und Peter Mayr<\/strong> (Wien)<\/p>\n\n\n\n

Post-Covid 19 Care. Interuniversity Cluster Medical Humanities (University of Vienna) and
Health Economics (Medical University of Vienna)<\/a><\/p>\n\n\n\n

Peter Mayr<\/a><\/p>\n<\/div>\n\n\n\n

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In this talk, Monika Pietrzak-Franger, full professor for British cultural and literary studies at the University of Vienna, gave us an insight into her project \u201cLiving with LongCovid\u201d. As a sub-strand of the interuniversity research cluster Post-Covid-19 Care, this project asks what it means to live with Long Covid every day. It explores not only how patients deal with their symptoms, but also their struggle for recognition, the lack of effective therapies,the lack of interest in their problems, the limits of scientific knowledge and the lack of (statefunded) social support. Based on interviews and photographic material produced with and for Long Covid patients in Austria, it shows the disease \u2013 its individual, family and social effects \u2013 from the perspective of those affected. It translates the experience of those affected into a detailed account of how Long Covid changes lives and thus offers an impressive testimony to their struggle. The photos, taken by Peter Mayr, are records of what the patients wished larger public to know about their struggles. Together with the texts based on the interviews, they counterbalance the mainstream media reports on Long Covid,which are often \u2013 and with few exceptions \u2013 one-sided, frequently use generic images and perpetuate stigmatizing narratives and iconographies of illness. We hope that our participatory, co-creative approach will contribute to the diversification and visualization of patients\u2019 experiences in the media.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Salon<\/strong> vom 12. Januar 2024<\/p>\n\n\n\n

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Prof. Dr. Ylva S\u00f6derfeldt<\/strong> und Dr. Erika Sigvardsdotter<\/strong>, Leitung\/Director und Koordinatorin\/Coordinator, stellten ihr Center for Medical Humanities<\/em> der Universit\u00e4t Uppsala (Schweden) sowie neue Formate der Zusammenarbeit im Zuge des Artists in Residence Programms vor, das im Jahr 2023 mit der K\u00fcnstlerin Anna Odell startete<\/a><\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Salon vom 06. Dezember 2024 \u00bbOn the Subject of Tests: Performing with Objects\u00ab Sasha Bergstrom-Katz (Berlin) Bergstrom-Katz is an artist, researcher and writer living in Berlin. Currently, she is a visiting fellow at the University of Bielefeld in the History and Philosophy of Medicine having […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":390,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1574","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/pages\/1574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/comments?post=1574"}],"version-history":[{"count":23,"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/pages\/1574\/revisions"}],"predecessor-version":[{"id":1770,"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/pages\/1574\/revisions\/1770"}],"up":[{"embeddable":true,"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/pages\/390"}],"wp:attachment":[{"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/media?parent=1574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}