{"id":1771,"date":"2025-03-03T16:47:09","date_gmt":"2025-03-03T15:47:09","guid":{"rendered":"https:\/\/www.imhar.net\/?page_id=1771"},"modified":"2026-03-12T12:03:33","modified_gmt":"2026-03-12T11:03:33","slug":"veranstaltungen-2025","status":"publish","type":"page","link":"https:\/\/www.imhar.net\/en\/news\/events-archive\/veranstaltungen-2025\/","title":{"rendered":"Veranstaltungen 2025"},"content":{"rendered":"\n
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Salon<\/strong> _ 14. November 2025<\/p>\n\n\n\n

HORIZONTAL! Das Krankenbett und die Welt im Liegen<\/strong> Konzeptvorstellung zur geplanten Sonderausstellung im Berliner Medizinhistorischen Museum der Charit\u00e9<\/em>mit Prof. Dr. Monika Ankele<\/strong><\/p>\n\n\n\n

Wie ver\u00e4ndert sich die Wahrnehmung der Welt, wenn wir sie im Liegen erleben? Die Ausstellung \u201eHorizontal! Das Krankenbett und die Welt im Liegen\u201c l\u00e4dt dazu ein, den Blick zu wechseln \u2013 weg von einer vertikal dominierten Welt hin zu den oft unsichtbaren Perspektiven aus dem Krankenbett: Wie pr\u00e4gt der mikroskopische Raum des Krankenbetts das Erleben von Krankheit und Teilhabe? Welche historischen, sozialen und politischen Bedeutungen tr\u00e4gt der liegende K\u00f6rper? Und wie lassen sich medizin\/historische, k\u00fcnstlerische und aktivistische Perspektiven miteinander verweben? Und wie kann die Ausstellung inklusiv und partizipativ gestaltet werden?<\/p>\n<\/div>\n\n\n\n

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Die Historikerin Prof. Dr. Monika Ankele<\/strong><\/a> ist seit M\u00e4rz 2024 Direktorin des Berliner Medizinhistorischen Museums der Charit\u00e9 und Professorin f\u00fcr Medizingeschichte und medizinische Museologie an der Charit\u00e9 \u2013 Universit\u00e4tsmedizin Berlin. Sie ist ebenso Gr\u00fcndungsmitglied der International Association for Medical & Health Humanities and Artistic Research, e.V. und ko-leitet das damit verbundene An-Institut IMHAR.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Salon _<\/strong> 17. 10. 2025<\/p>\n\n\n\n

\u00bbQueer Anatomies<\/strong>\u00ab Aesthetics & perverse desire in the anatomical image; Or, The Epistemology of the Anatomical Closet<\/em><\/p>\n\n\n\n

Mit Dr Michael Sappol<\/strong>, moderiert von PD Dr. Katharina Sabernig<\/p>\n\n\n\n

Sexual body-parts and same-sex desire were unmentionables in 18th- and 19th-century Europe, debarred from polite conversation and printed discourse. Yet one scientific discipline\u2014anatomy\u2014had license to represent the intimate details of the human body\u2014rectum and genitalia included. The images of anatomy could be soberly technical, but just as often monstrous, flirtatious, theatrical, beautiful. And sensual. Anatomical figures gave off heat, provided pleasure and legitimation to the men who produced and gazed upon, and collected, rare books and art. For those men, Anatomy had a privileged status as a foundational subject in art and medical pedagogy, and in the encyclopedic curriculum of Enlightenment discourse. Philosophical, medical and aesthetic competence, all depended on a secure knowledge of anatomy.
Yet our historical actors didn\u2019t openly declare their erotic interests. If, as Eve Kosofsky Sedgwick argued, \u201ccloseted-ness\u2026is a performance initiated\u2026by the speech act of a silence,\u201d then we need to peer into their textual and representational spaces, and decode their images and actions. <\/p>\n<\/div>\n\n\n\n

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Focusing on celebrated atlases and works that danced on the borderline of respectability, Mike Sappol uses queer theory, close reading, and the comparative method to recover the lost world of Enlightenment and post-Enlightenment queer anatomy.<\/p>\n\n\n\n

Michael Sappol<\/strong><\/a> is a historian of the visual culture of medicine and science, and Visiting Researcher in the History of Science & Ideas at Uppsala University. He is the author of Queer Anatomies (2024), Body Modern (2017), and A Traffic of Dead Bodies (2002). He is currently working on a history of photographic anatomy and an exploration of the cultural politics surrounding anatomical objects and collections.<\/p>\n\n\n\n

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Reading Room<\/strong> _ 12. Juni 2025<\/p>\n\n\n\n

James Thompson: Care Aesthetics. For artful care and careful art (Routledge 2022)<\/strong><\/p>\n\n\n\n

Prof. Dr. Azadeh Ganjeh<\/a><\/strong> (Ottersberg), Dr. Elke Mark<\/a><\/strong> (Flensburg) und Dr. Nora Heidorn<\/a><\/strong> (Berlin) stellen James Thompsons Buch vor und diskutieren zentrale Frage gemeinsam mit den Anwesenden. Moderation Prof. Dr. C\u00e9line Kaiser<\/strong> (Ottersberg)<\/p>\n<\/div>\n\n\n\n

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Salon<\/strong> _ 26. Juni 2025<\/p>\n\n\n\n

Disordering Dance<\/strong><\/p>\n\n\n\n

Dr Aby Watson<\/strong> is a neuroqueer artist, choreographer, performer, academic & activist based in Glasgow, Scotland. Aby\u2019s work is polymorphic\u2014shifting fluidly across contemporary performance and knowledge exchange, with a focus on radical neurodiversity. With special interests in neuroqueering, stimming, sensuality, and consciousness, her playful, stimulating choreographic sensibility explores non-neuronormative potentials through rhythm, repetition, ritual, and togetherness. Under the moniker ‘Disordering Dance’, Dr Watson’s choreographic research explores non-neuronormative approaches to making and experiencing dance, centred on modes of neurodivergent embodiment and consciousness. \/ www.abywatson.co.uk<\/a><\/p>\n<\/div>\n\n\n\n

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Kolloquium<\/strong> vom 24. Januar 2025<\/p>\n\n\n\n

Unter dem Titel \u00bbWissenschaftlichkeiten und Gelegenheiten: Zur fr\u00fchen Geschichte der Medizinischen Sammlung der Universit\u00e4t Z\u00fcrich<\/strong>\u00ab stellte die Medizin- und Wissenschaftshistorikerin Dr. Sophie Ledebur<\/a><\/strong> (Universit\u00e4t Z\u00fcrich) die Entwicklung der Sammlung vor.<\/p>\n<\/div>\n\n\n\n

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Salon _ 14. November 2025 HORIZONTAL! Das Krankenbett und die Welt im Liegen Konzeptvorstellung zur geplanten Sonderausstellung im Berliner Medizinhistorischen Museum der Charit\u00e9mit Prof. Dr. Monika Ankele Wie ver\u00e4ndert sich die Wahrnehmung der Welt, wenn wir sie im Liegen erleben? Die Ausstellung \u201eHorizontal! Das Krankenbett und die Welt […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":390,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1771","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/pages\/1771","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/comments?post=1771"}],"version-history":[{"count":12,"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/pages\/1771\/revisions"}],"predecessor-version":[{"id":1858,"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/pages\/1771\/revisions\/1858"}],"up":[{"embeddable":true,"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/pages\/390"}],"wp:attachment":[{"href":"https:\/\/www.imhar.net\/en\/wp-json\/wp\/v2\/media?parent=1771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}